Thursday, October 27, 2011

Musings: Ang Sayaw ng Dalawang Kaliwang Paa (2011)

Ang Sayaw ng Dalawang Kaliwang Paa, Philippines (2011)
Directed by Alvin Yapan
Cast: Jean Garcia, Rocco Nacino, Paulo Avelino



A love triangle. Three characters, all entangled in a complicated yet beautiful web of dance, poetry and love.

To put it simply, Ang Sayaw ng Dalawang Kaliwang Paa is a delight to watch. Its simple yet intricate attack on the subject of identity and homosexuality is refreshing. For one thing, it does not boasts to be an art film, nor does it claim to be a pink film. In fact, it does not need to claim anything at all, just watch it, and the answer is laid out to you but the challenge is to come up with the right one, as the story is fluidly juxtaposed with dance and poetry. You need to carefully pay attention to the details, the dialogues, the poetry, among others and then perhaps, gradually, you'll figure out both the physical and metaphorical meanings. (e.g. teardrop, sword, epic battle)

Rarely do we see a movie that is uplifted with subtlety.
Where each look, dance and word would entail a huge impact to its entirety.
Beautiful dialogues are carved out from poetry;
Amour, desire, pain and pleasure contained in a complicated sweet, euphonious melody.

--
What do you think? A picture paints a thousand words.



Musings: Phantom of the Opera 25th Anniversary Concert (2011)

Phantom of the Opera: 25th Anniversary Concert, UK, (2011)
Directed by Harold Prince
Cast: Sierra Boggess and Ramin Karimloo


Spectacular. Thrilling. Compelling.

It was one cathartic night. After seeing The Phantom 25th anniversary concert, and when I got out of the theater, I felt so alive. It's one of those inexplicable moments when certain things such as motion picture + music give you a certain high. Indeed, there was no drug needed; it was overwhelmingly uplifting.

I have to admit, I am not a child who grew up adoring musicals or stage plays to begin with. But you don't have to be accustomed to such things to enjoy and relish a feeling that's common among all of us- momentary bliss or euphoria, perhaps- when you've come across something as grandiose and lavish as this. The cast was enormous. The company listing on the show's official website cited that there were 138 cast members: 99 ensemble members, 20 dancers and 19 principles. The costumes and the props were vibrant, detailed and embellished with various adornments. The choreography was equally enthralling and eye-catching. Moreover, instead of using the customary set design of the stage play, gigantic LED monitors projected the appropriate backdrops to change the mood and to easily swap intended locations/settings.

Having LED is useful in stage productions. You can easily project anything in a touch of a finger or swiftly vary a mood in a just a blink of an eye. But unless it's 3d, the employment of actual props is unparalleled. Well, to give it a second thought, even if it's 3d, nothing beats decorating the stage with the actual materials. It gives you a more realistic, and true to its description, three-dimensional feel.

Apparently, I've also read that the Company had to adjust to some limitations because The Royal Albert Hall stage was small, especially if adorned with enormous and extravagant props intended for this production. Obviously, they managed this constraint well (e.g. use of LED, the strategic placement of gantry, orchestra, among others) They may even have used it to their advantage. But one thing disappointed the live audience - (and in the cinema, me too), the Chandelier scene! Obviously, it dangled above the audience but it did not fall down and crash, which was supposedly a highlight in the show.

Aside from the timeless musical masterpieces of Andrew Lloyd Webber that are showcased in Phantom, the real revelation are the actors. It's good to note that I'm not familiar with any of the members of the cast, so I may have probably pushed my biases aside, easier. But with that, I digress. Sierra Boggess as Christine is utterly mesmerizing. Oh those eyes! Those killer eyes and captivating voice. Usually, the beauty outshines the talent, that's what they say, but in here, Sierra exudes an enchanting vibe that treads the fine line of a mysterious charmer as well as childlike innocence. She's a wonderful thing to look at- ogle at (? anyone?) And even an endearing voice to listen to. Ramin Karimloo's Phantom is a joy to watch. One minute he's fierce and intense, the next he's fragile and vulnerable. It's that seemingly effortless way to switch masks and body language to exude a variety of emotions- all in one show, mind you- which differentiates a great actor from a good one. And Ramin may have probably been the former.

I had an epiphany about television/ taped-as-live productions while seeing this. It made me all the more appreciate the value of hard work, effort and practice as well as craftsmanship, teamwork and attentiveness during these times. When I was at school - in college specifically- it was more of a hearsay/ assumption kind of thing when it comes to the overview of television production. It's not that people were pretending to know or merely guessing about it, I guess everyone had a general idea of it but they never really got the chance to see it, and experience it for themselves. And 'presuming', 'imagining' and actually 'experiencing' are not exactly the same thing. Well, I guess, it has to do with the fact that you'll never really know until you get there.

Just like the Phantom.

You might have probably listened to his voice, heard what the company said about him, or read his story in the paper. Alas, you think you know, but actually, you have no idea.

It must have been the Angel of Music, after all.



Notes:
Great to watch the documentary part before the production proper.
Please do watch this in a 'surround-sound' method
Glad to have seen it in Trinoma.

Saturday, October 15, 2011

Food Trip!: Sbarro

Sbarro, Glorietta 5
October 7, 2011

Great and sumptuous food paired with great and sumptuous company.
Had a Chicken Macaroni Salad and Lemonade. Very delicious indeed. I was thinking of a Caesar's salad, incorporated with a bunch of lettuce and a creamy dressing but instead, I pronounced macaroni and thus, Caesar was defeated! :))
They had: Chicago White and this 'red' Pasta... while my friend argued that I had the white one.
Nice ambiance but the place is small. Service was great. Crew were accommodating and attentive.


Musings: After Dark (2004)

After Dark, Japan (2004)
Author: Haruki Murakami


Eerie. Strange. Creepy. Gripping. Imaginative.

Undoubtedly, these are some of the best words to describe Haruki Murakami's 2004 novel, After Dark. 

I have to say that the book is a good read during the witching hour, or perhaps even better before the break of the day. As the night gets deeper and you get more engrossed reading this, you can apparently feel or imagine the eerie dream world ambiance that is fluidly and wonderfully described. True to his words, Murukami's novel will immerse you into "the secret entries into darkness in the interval between midnight and the time the sky grows light", a period when "no one can predict when or where such abysses will swallow people, or when or where they will split them out."

What's exciting to note about After Dark is that it effortlessly juxtaposes reality and fantasy altogether; one moment there's a vivid landscape of the real world and then in a sudden twist of exposition, you will be introduced into far uncertain alternative cosmos. And that's fluidly done, which is one thing I really appreciate when I read written works that has a surrealism theme/ touch. Murukami's writing has a sly way of sucking us into the black hole, hence, transporting us into another galaxy- the world After Dark.


Just when we think that we've already been consumed by and into the world of make-believe, Murakami would shift the gear and wickedly drive our train of thought to make us realize that indeed, reality may even be stranger than fiction. And that's a really big imaginative tease which is better experienced After Dark!

Wednesday, October 12, 2011

Musings: No Other Woman (2011)

No Other Woman, Philippines (2011)
Directed by Ruel Bayani
Cast: Anne Curtis, Christine Reyes, Derek Ramsey, Carmi Martin





Wife. Husband. Mistress.
Mistress promises no emotional attachment. Husband gets tempted. Wife fights for what's 'hers'.
That's probably how I can briefly describe No Other Woman.

Watch this movie because: a) You're genuinely interested to see it b) you're after the hotness of Anne, Christine and Derek c) you have to kill time. d) you want to make 'okray' of the mainstream Pinoy movies lately e) you're on the look out for 'Pak na Pak' quotable quotes that teased you in the trailer or f) like me, you may want all of the above, with the emphasis on your fetish for love affairs on the silver screen.

Basically, I looked forward to see this because I love watching 'love affair' movies and so far, nothing about it has struck me as something new. But it certainly did make me think about so many things about this intricate, complicated web of affairs:

***
1. If you're the mistress, don't ever dare say 'yes' to the wife's invitation to have dinner at their house! That's like a death trap- suicide! Remember what your parents told you when you were younger? 'Don't talk to strangers!' And let me modify this, especially if that stranger is your lover's wife! Unless of course, you're Anne, who's clearly adventurous! Go figure.

2. If you can't say your sentiments loud and clear at the mall where you've seen the other woman, follow her and also aim what she's buying (e.g. blue bag), be sure to bring your wits with you and come up with a great analogy about protecting what's yours.

Just make sure it's the last of its kind, otherwise, that's super dyahe! Pinag-aawayan, eh marami naman palang katulad? *facepalm*  Make sure to stress that you don't like sharing these kinds of nice things, especially...*drum roll* your husband. That is if, of course, he's a 'thing' to you, among others.

3. Don't put a period where you can put an ellipsis or...something like that... (e.g. “We’re just two consenting adults having fun, there’s no emotional attachment.”) Point is, you might want to brush up your English 101, may be you could have put a question mark on the latter. (e.g. There's no emotional attachments?) At least, there's no declaration, instead there's uncertainty. That way, you won't be eating your statements.

But other than enhancing your grammar and so on, why not get a good grip of this affair and go get yourself your own man! You know, sometimes it's better to have the entire cake than having just a piece of it. At 'di ka pa nakiki-share, buong-buo siyang sa 'yo! 'Wag mo lang hayaan ang iba na tikman ito. ;)

4. In our society today, it's generally a sort of accepted reality that men are said to be weaker and are therefore, more vulnerable to have affairs than women. Nature raw kasi nila yan. (e.g. “Kapag ang lalaki, maya’t maya nagpapalit ng babae, Ok lang yun! Basta sayo lang umuuwi. Pero pag ang lalaki may suki nang kabit, dun ka na lumaban!”) Just imagine if it was Christine's character having The Other Man and we'd all conclude - What a Slut!!! In this case, we can't just call Derek's character as a...uhm, man whore? (excuse my French) Because yes, he was weak and there's this temptation - Anne's role- and again, she's the slut! It's like saying, sorry, Derek's just a man and it's in his nature to get tempted so we can let this pass...we totally understand.

But seriously, is it also the case for women? Hmm.. Anyway, this brings me to another point. Anne's character is to be blamed!

5. Yeah right. That is true. But of course, Derek participated in it so they are to be blamed. What I don't quite like in most Pinoy love affair movies is that no matter how evil and wicked The Other Woman is, sometime, somewhere along the way, her character gets redeemed (e.g. Anne rescues Derek, calls Christine, says sorry and strives to be a better girl) Why can't we just leave the bad girl as the bad girl. And not turn her into the 'nicier' girl later one (because...uhm... Anne's 'good girl' image might be ruined after portraying this evil mistress??)

Hence, we resort to twisting the plot, make her conscience eat her up and boom- she's good and nice na! I think, instead of crafting this predictable way to end a love affair movie, and spoon feeding the viewers to what is supposed to happen, we should probably educate them on what should be the ending for this love story, for these characters. Or more importantly, to create an ending with the thought of: what would the characters probably or most likely do in their story... not necessarily anchoring it to what the audience would like the characters to do in their story. eh di sana sila na gumawa ng pelikula! ;)


6. You want a sure way for people to dig what you're talking about? Figures of speech, these can come handy!! (e.g “I-pack up mo na si Lucy Torres mo. Ilabas mo na si Gretchen Baretto. Ako na bahala sa red stiletto mo.”) 

At sorry naman sa hasty generalization!:

(e.g. Crying scene with her mother, Charmaine: “Tsaka ano bang mahirap kalaban? Yung putang mahirap o yung putang mayaman?”
Her mother's answer: “Pareparehong puta lang yun! Ang mayaman bumibili ng Hermes sa mall, ang mahirap bumibili ng hermes sa Greenhills.”)


I assume after this, wala ng bibiling Hermes sa Greenhills! :))

7. Huwag mag-suot ng mala snake skin bikini. It will get under your skin,and people will see right through you.. sssssssssssssssssss.

8. For the love of (insert whatever name you like to insert here), nakaka- distract yung anak ni Christine and Derek!!!!! My gosh, ang nasabi lang namin: Wala na talagang ma i-cast, teh? Ahhhhh. Like total ahhhhhhh!!!!!!! The way I am distracted here... Yun na!

***
Sorry, got distracted there.
Here is the supposed ending. LOL. :)

Sometimes the use of musical score drowns out the dialogues; it might have been used to much. The score is blaring on the background that I can't even hear what the characters are saying anymore. The song, "Now that You're Gone" may send confusing messages when it's juxtaposed to the visual elements.  And is it really the appropriate song for that sequence?? Go watch!

If there's one thing I'd like others to learn from this film, it is the realization that being a mistress is not something to be proud of. Might sound challenging, fun and thrilling but at the end of the day, there's nothing more satisfying than coming home to your man- the one who's really yours.

Now, go get him! :)

Quotable quotes:

"Kiss me but don't you dare fall in love with me."

Saturday, October 8, 2011

Food Trip!: Pasta Treat

Somebody's got _aid!
Well, I'll leave you to that.
Anyway, here's the Pasta treat for the people @ home.
I didn't know cooking can be such a stress reliever!
In the words of other chefs and of course, Meryl's Julia Child,
Bon Appetit!
September 6, 2011

The ingredients!

With the cooked macaroni.

Finally, the white sauce. 

Wanderlust: NAIA


Clarified some details @ NAIA before the Palawan trip. 
Missed the vibe of the airport rush. 
Anyway, there we were, strolling and running around. LOL
September 17, 2011

Nice reminder. Perhaps a tribute to former senator Ninoy Aquino, of which the airport is named after.

@ the AirPhil Express lounge

ADS!

Ticket counters.

Different time zones.



More trips to come, most definitely. For now, back to reality! :)

Food Trip!: Old Spaghetti House


Leeched wi-fi and indulged myself in creamy, chocolate-y goodness @ Old Spaghetti House!
Where, by the way, I spotted local TV reporter, Linda Homilla and her I-dont-know, may be lover. 
Who cares, oh you do? LOL
Anyway, ordered onion rings, tempura, chicken bites whatever and this really good sort of 'cooked chocolate ice cream'. 
SHEER LUSH. Really melts in your mouth. 
Also had this mocha shake... 
Dolce Vita! :)
September 19, 2011


Melts in your mouth. Sweet and creamy!

Rich!

The place is small and quite intimate. Had this laid back, chill vibe. Really crappy wi-fi at that time, though. Service was quite slow but food is delish... :)

Friday, October 7, 2011

Wanderlust: Resort's World


Dropping by Resort's World in Paranaque after an airport stroll at NAIA.
September 17, 2011

Lovely.


A photo exhibit at the foyer.

I've been wanting to watch this! And I will... The production starts on October 15.


:)

Newport Cinemas' photo wall. Cool.

Froyo time! Golden Spoon. Lush!

Towards the Casino... 

Had a great time there. Wish I could have stayed a while. Will be back soon!
See you!
The hills are alive, with the Sound of Music!!

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